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Within LiveвЂ™s built-in lessons, you will find a Control Surface Reference that lists all currently supported hardware, complete with the details of their instant mappings.

These feature-dependent configurations are known as instant mappings. This varies, of course, depending upon the configuration of knobs, sliders and buttons on the control surface. In most cases, Live uses a standard method for mapping its functions and parameters to physical controls. Finally, press the Dump button Live will then set up your hardware automatically. The method for enabling this varies for each manufacturer and product, so consult your hardwareвЂ™s documentation if you are unsure. Before pressing it, verify that your control surface is ready to receive preset dumps. If this is the case, the Dump button to the right of your control surfaceвЂ™s choosers in the Live Preferences will become enabled.

RESET KOMPLETE 11 SELECT MANUAL

If your controller is not listed here, donвЂ™t fret - it can still be enabled manually in the next section, Manual Control Surface Setup ( see 29.1.2).Дepending on the controller, Live may need to perform a вЂќpreset dumpвЂќ to complete the setup. Open the first chooser in the Control Surface column to see whether your control surface is supported natively by Live if it is listed here, you can select it by name, and then define its MIDI input and output ports using the two columns to the right. Up to six supported control surfaces can be used simultaneously in Live. Дў9.1.1 Natively Supported Control SurfacesД¬ontrol Surfaces are defined via the menus in the Link/Tempo/MIDI tab. This is done in the Link/Tempo/MIDI tab of LiveвЂ™s Preferences, which can be opened with the CTRL- ,(Win) / CMD- ,(Mac) keyboard shortcut.

This is a common cause of confusion that can be easily resolved by observing the Control BarвЂ™s MIDI indicators ( see 15.3.4).Д«efore making any MIDI assignments, you will need to set up Live to recognize your control surfaces. MIDI keys that become part of remote control assignments can no longer be used as input for MIDI tracks. If you assign C-1 on your MIDI keyboard to a Session View Clip Launch button, that key will cease playing C-1 of your MIDI trackвЂ™s instrument, as it now вЂќbelongsвЂќ solely to the Clip Launch button.

LetвЂ™s suppose that you are using a MIDI keyboard to play an instrument in one of LiveвЂ™s MIDI tracks. Live also offers dedicated control via Ableton Push ( see Chapter 30) and Push 2 ( see Chapter 31).Д«efore we explain how remote control assignments are made and implemented, letвЂ™s first make the distinction between MIDI remote control and a separate use of MIDI in Live: as the input for our MIDI tracks. Live can be controlled remotely by external MIDI control surfaces, such as MIDI keyboards or controller boxes.

The crossfader, the behavior of which is described in detail in the respective section of the Mixing chapter ( see 16.5).

Continuous controls - like the mixerвЂ™s volume, pan and sends.

One instance of a radio button is the crossfader assignment section in each track, which offers three options: The track is assigned to the crossfaderвЂ™s A position, the track is unaffected by the crossfader, or the track is affected by the crossfaderвЂ™s B position.

Radio buttons - A radio button selects from among a number of options.

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Switches and buttons - among them the Track and Device Activator switches, the Control BarвЂ™s tap tempo, metronome and transport controls.Session View slots - Note that MIDI and computer key assignments are bound to the slots, not to the clips they contain.This chapter describes the details of mapping to the following specific types of controls in LiveвЂ™s user interface: To liberate the musician from the mouse, most of LiveвЂ™s controls can be remote-controlled with an external MIDI controller and the computer keyboard.

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